My approach in working alongside people and their dogs.

My work is grounded in Perceptual Control Theory (PCT) developed by William T. Powers. I practice through the inspiration of PCT’s theraputic approach called Method of Levels (MoL), created by Dr. Timothy A. Carey. In my work, these inspirations are adapted for the nuances of human-canine relationships.

Most importantly, it’s not necessary to understand the theory as experiencing is the key. And I’m also happy to answer any questions about the theory at any time. 

PCT is essential to understanding the goal(s) behind any living system’s behaviour—including dogs and humans.

It considers disturbances (or obstacles) to each individual’s goal, conflicts within the system or between two (or more) systems (e.g., us and our dogs). It looks at how each living organism naturally runs its own program(s) to enjoy life, survive, and/or to problem-solve—further providing insights on likes, dislikes, what helps and what makes something worse, its principles and sense of self.

PCT is layered and complex, yet simple and elegant. Behaviour takes on a whole new life—and starts to make perfect sense, once we begin to explore this. I do not ‘fix’ or force change; rather we (me, you, and your dog) sustain ‘error’ to create space for reorganization—which is organic adaptation, growth and transformation. Sustaining ‘error’ and ‘reorganizing’, is HOW living systems adapt from within, which is WHY we pause in ‘error’.

Rather than working on a dog or for a client, or set sights on changing the dog, I step into relationship with both as your guide—pausing to notice each individual’s goals, what you each experience as disturbances or obstacles to your goals, holding a safe and supportive space for you to explore cooperative and collaborative solutions that are ‘just right’ for you and your dog.

Carey, T. A. (2006). The method of levels: How to do psychotherapy without getting in the way. Living Control Systems Publishers.

Powers, W. T. (1973). Behavior: The control of perception. Aldine de Gruyter.